PHOTOGRAPHY EQUIPMENT CANADA - EQUIPMENT CANADA
Photography equipment canada - Used professional camera equipment.
Photography Equipment Canada
- the process of producing images of objects on photosensitive surfaces
- The art or practice of taking and processing photographs
- the act of taking and printing photographs
- (photograph) a representation of a person or scene in the form of a print or transparent slide; recorded by a camera on light-sensitive material
- A tool is a device that can be used to produce or achieve something, but that is not consumed in the process. Colloquially a tool can also be a procedure or process used for a specific purpose.
- The act of equipping, or the state of being equipped, as for a voyage or expedition; Whatever is used in equipping; necessaries for an expedition or voyage; the collective designation for the articles comprising an outfit; equipage; as, a railroad equipment (locomotives, cars, etc.
- an instrumentality needed for an undertaking or to perform a service
- The necessary items for a particular purpose
- The process of supplying someone or something with such necessary items
- Mental resources
- The CANADA! Party was an official political party in the province of Quebec from 1994 to 1998. It was founded on Canada Day 1994 by federalist Tony Kondaks, former top-aide to Equality Party leader Robert Libman Its name was initially called the Canada Party of Quebec/Parti Canada du Quebec but
- #"Canada" (Barb Jungr, Michael Parker) – 3:37 #"Nothing Through the Letterbox Today" (Jungr, Parker) – 2:43 #"One Step Away from My Heart" (Jungr, Parker) – 4:09 #"Nights in a Suitcase" (Jungr, Parker) – 4:04 #"21 Years" (Jungr, Parker) – 3:37 #"The Chosen One" (Jungr, Parker) – 3:48 #"Walking
- A country in northern North America, the second largest country in the world; pop. 32,507,900; capital, Ottawa; official languages, English and French
- a nation in northern North America; the French were the first Europeans to settle in mainland Canada; "the border between the United States and Canada is the longest unguarded border in the world"
Faking Death: Canadian Art Photography and the Canadian Imagination
In "Faking Death" Penny Cousineau-Levine examines the work of over 120 Canadian photographers, revealing important aspects of Canadian identity and imagination. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and duality that also occurs in Canadian literature, film, and political life. Subverting the documentary tradition and other stylistic idioms for their own distinctive ends, Canadian photographers exhibit an ambivalent preoccupation with death and dying, bondage, and entrapment. Cousineau-Levine argues that this is characteristically a 'faked' death that expresses a collective Canadian wish for a symbolic passage to national maturity."Faking Death" includes 16 colour reproductions and 150 duotones by artists such as Raymonde April, Jeff Wall, Lynne Cohen, Charles Gagnon, Evergon, Michel Lambeth, Thaddeus Holownia, Geoffrey James, Genevieve Cadieux, Shelley Niro, Diana Thorneycroft, Jin-me Yoon, Ian Wallace, and Ken Lum. By bringing together this many Canadian works, "Faking Death" provides a compelling visual introduction to one of Canada's most vibrant and internationally recognized artistic media. It is an invaluable tool for curators, artists, teachers, students, and scholars in art history, fine arts, Canadian studies, film, communications, literature, and cultural studies.
Once we landed in St. Johns, we checked into our accommodations and wasted no time getting out and exploring the area.
Our first stop was Signal Hill. An area so rich with history and stunning views. Perhaps that's why 97% of tourists to Newfoundland visit this iconic landmark.
Originally known as "The Lookout", It was named Signal Hill in 1762 for the practice of signaling the arrival of ships with signal flags. The hill was also instrumental to our defense and communication history.
This shot was taken at our second stop of the day....Cape Spear. I wish I'd had more time because this is a spot you could easily spend days photographing the landscapes, old WW2 buildings and lighthouses. It's the most easterly point in North America.
We saw a few whales in the distance, spent hours photographing the shoreline and by the time I got around to the lighthouses......the light was fading fast. Next time I make it to Newfoundland, I'll be spending more time there!!!
We quickly realized that this trip was going to be a big test of strength and endurance. To make the most of Newfoundland you have to walk. And when I say walk, I mean heavy trekking up and down steep terrain, loose rock, and long trails. Then add who knows how many pounds of photography equipment and you've got yourself a great workout!!
Each day we were carrying around two camera bodies, a wide-angle lens,70-200 f/2.8 IS, 100-400, the 400mm f/2.8 IS (AKA: The Beast), a tripod and heavy Kirk BH1 Ballhead, raingear, various filters and gadgets, drinks, the ever-so-important GPS, jackets etc.
I have muscles aching that I didn't even know existed. But that's just the kind of "vacation" I needed and wanted.
I'm pissed off.
Film: Kodak Ultra-Color 100
Top: Lens and Shutter 4"x6" print (scanned using D1250U2F)
Bottom: Film scan from el-cheapo Canon D1250U2F flatbed scanner
When I got this set of prints, I knew this isn't what is on the film so I tried scanning the film with a cheap $30 flatbed scanner. Just as expected, L&S failed... again. (Mind you, I don't have a problem with their photography equipment side, just their photo-developing side).
You might wonder if it's a poor craftsman who blames his tools, but it is not.
This was taken at 5:29PM which was 42 minutes after sunset, precisely at the best time of the blue hour. The black cloud near the middle top is suppose to be middle-gray because after checking other areas, I metered off that particular area and then bracketted. But somehow, L&S outputs a print that is almost black.
The lens used here is the Canon EF24mm,f/2.8 prime stopped down to f/5.6. It's optical performance will rival any $2000 "L" zoom lens. I know my Kodak-UC100 film; I've used it for years; I've tested it and experimented with it to death; I know what it is capable of; I know when it gets hit with reciprocity failure.
If it's not the lens or the film, maybe it's just the scanner? Maybe it's because I spent a lot of time adjusting the settings so that the film-scan looks good? Even if this was the case, a $30 flatbed scanner shouldn't be able to beat their system. But in fact, it was set to automatic. If they can't beat auto-setting, they should be replaced by bots!
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